"A Soldier’s Thanksgiving"   Lot no. 939

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By Joseph Christian Leyendecker (1874-1951)

1917 (Estimated)
25.00" x 20.25"
Oil on Canvas
Signed Lower Left
SOLD

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SOLD

 

Saturday Evening Post Cover Painting December 8, 1917 

"A Soldier's Thanksgiving," was executed by Joseph C. Leyendecker for the cover of the December 8, 1917 edition of The Saturday Evening Post. The cover depicts a stalwartly U.S. Doughboy with a cup of steaming hot coffee and his holiday dinner held in his government-issued mess kit, presumably somewhere on the Western Front. U.S. soldiers of the American Expeditionary Forces had only arrived at the front lines in October of 1917, a mere 30 days before the publishing of this cover. At that time, the general mood of American Forces was very optimistic. Only seven months later, Leyendecker's Post cover (June 1, 1918) shows the same American soldier - although this time in a more somber setting, kneeling at the grave of a fallen comrade. 

 

Exhibitions:

It's a Man's World, Illustration Art by and for Men: November 14-17 2012, Illustration House NYC, The National Arts Club NYC Jan 6- 19 2013

Christie's New York, Illustrating America: Norman Rockwell and His Contemporaries, November 30, 2013- January, 2014


J.C. Leyendecker created 319 covers for The Saturday Evening Post from 1903 to 1943. In the words of Norman Rockwell, Leyendecker "Was my god." His unique hatching technique provided the speed and dexterity of pencil, with the graphic impact of color, and produced an instantly recognizable style that was admired by all who saw his work.; *Minnesota native Jesse William Betlach (1883-1958) was an accomplished commercial illustration artist who received his formal art training at the Minneapolis Institute of Art. He worked in various mediums and was commissioned by numerous Minnesota based firms, including Brown and Bigelow and Donaldson's Department Stores. Probably his most well-known work is the Land O' Lakes Butter Indian Maiden Logo which he re-designed in 1939 and which is still in use today. It is believed by the family that, through his membership in the commercial artist community, he was gifted the offered lot directly from the artist.; The offered lot includes an original framed cover of the December 8, 1917 edition of The Saturday Evening Post.



See all original artwork by Joseph Christian Leyendecker

ABOUT THE ARTIST

Joseph Christian Leyendecker was born in Montabaur, Germany, and came to America at the age of eight. Showing an early interest in painting, he got his first job at 16 in a Chicago engraving house on the strength of some larger pictures he had painted on kitchen oilcloth. In the evenings after work, he studied under Vanderpoel at the Chicago Art Institute, and saved for five years to be able to go to France and attend the Academie Julian in Paris.

Upon his return, as a thoroughly trained artist with immense technical facility, Leyendecker had no difficulty in obtaining top commissions for advertising illustrations and cover designs for the leading publications. His first Post cover was done in 1899, and he did well over 300 more during the next 40 years. Among the most famous of these was his annual New Years Baby series.

His advertising illustrations made his clients famous. The Arrow Collar Man was a byword for the debonair, handsome male, and women wrote thousands of love letters to him in care of Cluett Peabody & Company. His illustrations for Kuppenheimer Clothes were equally successful in promoting an image of suited elegance. He was elected to the Society of Illustrators Hall of Fame in 1977.A major retrospective exhibition of Leyendecker's work was mounted at the Norman Rockwell Museum in Stockbridge, Massachusetts, in 1997-98.

Joseph Christian Leyendecker was born in Montabaur, Germany, and came to America at the age of eight. Showing an early interest in painting, he got his first job at 16 in a Chicago engraving house on the strength of some larger pictures he had painted on kitchen oilcloth. In the evenings after work, he studied under Vanderpoel at the Chicago Art Institute, and saved for five years to be able to go to France and attend the Academie Julian in Paris.

Upon his return, as a thoroughly trained artist with immense technical facility, Leyendecker had no difficulty in obtaining top commissions for advertising illustrations and cover designs for the leading publications. His first Post cover was done in 1899, and he did well over 300 more during the next 40 years. Among the most famous of these was his annual New Years Baby series.

His advertising illustrations made his clients famous. The Arrow Collar Man was a byword for the debonair, handsome male, and women wrote thousands of love letters to him in care of Cluett Peabody & Company. His illustrations for Kuppenheimer Clothes were equally successful in promoting an image of suited elegance. He was elected to the Society of Illustrators Hall of Fame in 1977.A major retrospective exhibition of Leyendecker's work was mounted at the Norman Rockwell Museum in Stockbridge, Massachusetts, in 1997-98.


Kent Steine