"Ivanhoe"   Lot no. 4268

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By Maxfield Parrish (1870-1966)

Mixed Media on Board
Signed on Verso



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Maxfield Parrish created the present work as a playbill to commemorate a performance of Ivanhoe, which took place in the home of its original owner in Cornish, New Hampshire. The Cornish Art Colony began in 1885 with the arrival of the sculptor Augustus Saint-Gaudens. Ensuing artists were attracted the region's natural beauty and relative seclusion, as well as by the encouragement and intellectual stimulation offered by the town's residents. Along with a number of painters, writers, and sculptors, Parrish arrived in the Colony with his family in the 1890s. The present work, ornately crafted by the artist as a playbill for a local dramatic production of Ivanhoe, is a remarkable example of the Colonists interest in fostering the cultural life of the region. First published in 1820, Ivanhoe is an adventure novel set in 12th-century England, and the most well-known and influential of Sir Walter Scott's works. The story has since been adapted to film, television, and the stage, and is often credited with the general resurgence of interest in the medieval period.

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See all original artwork by Maxfield Parrish


To behold the work of American illustrator Maxfield Parrish (1870–1966) is to enter into a fantasy world of ethereal beauty. Whether a book illustration, magazine cover, painting or mural commission, his flawlessly rendered subjects and fairy-tale settings are infused with a sense of mythical beauty unmatched by any artist in his wake

A Unique Approach

The magic and sublime spirit of Parrish’s work is the result of his unique approach to painting. He began with a white base which served to illuminate the image from the first layer up through to the last. Repeated layering of varnish on the surface of the pigment heightened the vibrancy of his colors, yielding shades like the famous "Parrish blue," a rich cobalt that is now indelibly associated with the artist. This singular technique allowed Parrish to convey textures and patterns with the intense detail and saturation of color that became trademarks of his best works.

This May, a museum-quality collection of 11 works by Maxfield Parrish pay tribute to the superior talent and unique vision of this seminal artist. A leading highlight of the collection is Sing a Song of Six Pence, measuring over 13 feet long and painted as a mural for the hotel bar of the Sherman House in Chicago, Illinois. Parrish began his career painting a mural of Old King Cole for the University of Pennsylvania in 1894, and was immediately recognized for his ability to render exquisite detail on a monumental scale. He often projected photographic images and then painted directly on the surface of his murals, which may account for the veracity of the features displayed in this work.